Filling the Kiln |
Once again, the blue glaze had done strange things. It had crawled, bubbled and developed pinholes. The first few cups were very disappointing. As he went deeper, however, the quality improved.
The green glaze was beautiful. It tended to pool at the bottom of some bowls, creating the same green/blue depth less effect you get when you look into a deep mountain lake.
Best of all were the results from a new technique he had tried, called chattering. This involved letting a sharp edged tool bounce along the surface of leather hard clay as a pot spun on the wheel. This creates an evenly distributed design cut into the clay. To show the chattering effect off, he just rubbed color or used a light slip on the chattered areas. You can see some chattered pots in this picture.
As for blue glazes, there was a different blue glaze, with a smokey, mottled effect that the Lonely Potter tried on one plate. It turned out beautifully, so I think the Lonely Potter will be able to throw out the "April Fool" blue, and use this "Smokey Blue" instead.
Smokey Blue plate on upper left. |
There is drama in every kiln load the Lonely Potter opens. Let's hope this was the end of the blue glaze saga.